Chinese Calligrapher Mi Fu

Chinese Calligrapher Mi Fu

Mi Fu (米芾 in chinese) Known as an eccentric individual, was a distinguished scholar of ancient calligraphy and painting and was considered a master of his own expressive style of painting and calligraphy. Although recognized and admired by the Song emperor Huizong he was dismissed from various governmental posts for his unconventional behavior.

In later life Mi had a checkered official career, with frequent changes of post. He began as a reviser of books in the imperial library and subsequently served in three posts outside the capital of Kaifeng, in Henan Province. In 1103 he was appointed a doctor of philosophy and was briefly military governor of Wuwei in the province of Anhui. He returned to the capital in 1104 to serve as a professor of painting and calligraphy, taking this opportunity to present to the emperor a painting by his son, Mi Youren. He then undertook the position of a secretary to the Board of Rites before setting out on his final appointment as military governor of Huaiyang, in Jiangsu Province, in which post he died at the age of 57. Mi Fu was married and had five sons, of whom only the two eldest survived infancy, and eight daughters.

       Mi believed in respect for historic styles suffused with the calligrapher’s own creative talent. Most of all he valued spontaneity and self-expression, eschewing the contrived and saccharine. Throughout Mi’s life, the workings of a highly individualistic temperament were evident. This was manifested in his fastidious attention to cleanliness, his preference for the clothes of ancient Chinese dynasties, and his love for strange rocks and ink stones, which he collected. Mi Fu was noted as an eccentric, or "Madman Mi (米癲)". He was so obsessed with collecting stones that he even declared one stone to be his brother. Hence he would bow to his "brother" in a display of the filial devotion given to older brothers.

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